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Patricia Routh

Educator, Visual Culture Scholar and New Media Artist

Patricia Routh
Leicester (LE21WF) United Kingdom
Professional Status
Employed
Unavailable
About Me
As an Assistant Professor and Course Director for MA Media Management, I have extensive experience in digital visual culture, media representations, new media art, and interactive and immersive media. My research interests cover a wide range of topics related to these fields, and I am dedicated to exploring new and innovative approaches to understanding how media shapes our world.
  • April 22-24, 2023, audio reactive live projection, "SurfSonicSymphony", Cromer Art Space , Art Deco Block, Promenade, Cromer NR27 9HE
    In collaboration with Adrian Palka
  • 20 October 2022 until 30 October 2022, Now Then and What Next
    Projection/ Instalation 'Hotel Revenant'
    Cromer Art Space , Art Deco Block, Promenade, Cromer NR27 9HE
    In collaboration with Adrian Palka
  • February 21, 2020 Music, Technology & Innovation/Performance DMU, Postgraduate Concert, "Golden Turtle" audio reactive video to live performance of Golden Turtle sound composition by Susanne Grunewald.
  • June 12, 2018 Music, Technology & Innovation/Performance DMU, Postgraduate Concert, "Golden Turtle" audio reactive video to live performance of Golden Turtle sound composition by Susanne Grunewald.
  • March 22, 2017 Music, Technology & Innovation/Performance DMU, Postgraduate Concert, "Golden Turtle" audio reactive video to live performance of Golden Turtle sound composition by Susanne Grunewald.
    • 2009-2016 – Photographic work featured regularly within Paraphilia Magazine. USA
  • January 2014, The Curated Ego: What Makes a Good Selfie? "The Personality Surgeon" images screened at National Portrait Gallery, London.
  • August 3 - August 29, Photography & Video Backdrops for Open Wide Tour, Edinburgh Fringe Festival.
  • April 6th, 2013 Los Angeles Center for Digital Art, LACDA Ninth Anniversary Exhibit
    Los Angeles, California
    Featured five digital prints.
  • March 2013- the video, "End Begins", broadcast on FRANK MOORE'S UNLIMITED POSSIBILITIES on Berkeley TV (BTV), Ch. 28. Berkeley, California, USA
  • August 2012- the video, "Torch me up,with the olympics", broadcast on FRANK MOORE'S UNLIMITED POSSIBILITIES on Berkeley TV (BTV), Ch. 28. Berkeley, California, USA
  • March 2012 -LACDA, Los Angeles Center for Digital Art, New Aesthetic Prints.
  • December -2011, Mobile phone photography as featured illustrations for Michael Butterworth's, "Christmas Story".
  • December 2011- the video, "End Begins", broadcast on FRANK MOORE'S UNLIMITED POSSIBILITIES on Berkeley TV (BTV), Ch. 28. Berkeley, California, USA
  • September, 2011, videos shown at Dilston Grove and Matt's Gallery , London UK . ”Something just behind your back”, ”Phil the Messenger”, “ ’and Inhabited the Spaces’ “, and “Adventures in the House of Memory”.
  • April 2011 - the video, "Gangster State", will broadcast on FRANK MOORE'S UNLIMITED POSSIBILITIES on Berkeley TV (BTV), Ch. 28. Berkeley, California, USA
  • March 2011- the video, "Jimmy Carter 1979", broadcast 4 times on FRANK MOORE'S UNLIMITED POSSIBILITIES on Berkeley TV (BTV), Ch. 28. Berkeley, California, USA
  • October 1, 2010 - October, 2011, the videos, "The Edge of my World", "Persephone", "Alveolus", "The Ancient Old Ones", "Mysterium Tremendum", "Lusion Plain", "Skin", "Normal", "Funky Bacon", and " Swimming Upside Down" screened on loop at the Plaza Eventi hotel in NYC, giant outdoor screen. New York , New York, USA
    • September, 2010, videos shown at Dilston Grove and Matt's Gallery , ”Something just behind your back”, ”Phil the Messenger”, “ ’and Inhabited the Spaces’ “, and “Adventures in the House of Memory”. London UK
    • July 8th – 24th, 2010 – LACDA, Los Angeles Center for Digital Art; “FEEDBACK”; shown “Phil the Messenger”.
      Los Angeles, California, USA
    • March 13th, 2010, “Brixton’s Smallest Cinema”; screened ”Beelzebub’s Breath “.Brixton UK.
    • January, 2010 , On-line , OXHOUSE, An online alphabet supported by The Arts Council of England; streamed ”la la la la la”. On-line
    • August, 2009, Featured Photographer of the month for Zoom Street Magazine. San DIego, California, USA
    • September, 2008 MOCA, The Los Angeles Museum of Contemporary Art. Screened, “Persephone”. Los Angeles, California, USA.
  • The Creative Practice of Selfies: Playful Expression and Subversion in Digital Culture., PhD Seminar 2019, University of Leicester, Department of Media and Communication, Bankfield House.
  • Routh, Patricia. 'The Politics of Transformation: Selfie Production of the Visually Marginalised' in Karatzogianni, A., Nguyen, D. and Serafinelli, E. (eds) The Digital Transformation of the Public Sphere: Conflict, Migration, Crisis and Culture in Digital Networks, Basingstoke: Palgrave Macmillan. 2018
  • Routh, Patricia. A poststructuralist review of selfies: Moving beyond heteronormative visual rhetoric. for(e)dialogue, [S.l.], v. 1, n. 1, p. 4-14, mar. 2016. ISSN 2398-0532.
  • The Politics of Transformation: Selfie Performativity Beyond of the Hegemonic Visual Rhetoric', PhD Seminar 2015, University of Leicester, Department of Media and Communication, Bankfield House.
  • Gender Performativity and Selfie Creation: Beyond the Binaries of Heteronormative Visual Rhetoric, 2015, NDiMR New Directions in Research, University Of Leicester, Department of Media and Communication.
  • November 26th, 2014 - Gendering Happiness: The Power of Pleasure. "Affect and Identity in Selfie Production". University of Hull, WISE
  • November 13 - 15, 2014 - Material Matters in Times of Crisis Capitalism, "Affect and Memory in Selfie Production". Justus-Liebig-Universität Gießen
  • January, 16th 2014 - The Curated Ego: "What Makes a Good Selfie? " National Portrait Gallery, London.
  • April11-12 2013-Conflict and Dialogue in Transnational and Digital Diaspora Networks, New Aesthetic Nostalgia as a Bridge to the Present.". University of Hull, WISE
  • November 7, 2012 - The Media & Memory Research Initiative (MaMRI) "New Aesthetic Nostalgia as a Bridge to the Present.".- Department of Digital Media, University of Hull, SANM